Thomas Dolby Featured in Interview by the Baltimore Fishbowl Reply

DolbyHomewood Professor of the Arts and recording arts faculty member Thomas Dolby was featured in an interview by Ethan McLeod of the Baltimore Fishbowl. The interview centered on Mr. Dolby’s career highlights, transition and inspiration in teaching, and his role and vision in the crafting of Peabody’s New Media Program for undergraduates. Read the full interview here.

Thomas Dolby Gives Talk on His Memoir The Speed of Sound on May 2 Reply

an-evening-with-thomas-dolby-p-1487172858Homewood Professor of the Arts and recording arts faculty member Thomas Dolby will give a talk on his memoir The Speed of Sound: Breaking the Barriers Between Music and Technology on Tuesday, May 2, at 6:00 pm, at JHU’s Mason Hall Auditorium as a part of the Friends of the Johns Hopkins University Libraries. The Speed of Sound highlights Mr. Dolby’s career at the intersection of music and technology, including his rise to the top of the music charts, a second act as a tech pioneer, and the sustaining power of creativity and art. Find more information here.

Scott Metcalfe Tours for Creating Sounds from Scratch This Spring Reply

metcalfeDirector of Recording Arts and Sciences Scott Metcalfe will tour to promote his recently released book titled Creating Sounds from Scratch: A Practical Guide to Music Synthesis for Producers and Composers this spring. Mr. Metcalfe will present an event at Berklee College of Music on April 28 and Bill’s Music in Catonsville, Md. on May 9.

Joel Watts Receives Grammy Award for Best Orchestral Performance Reply

02db72aJoel Watts (BM ’14, Horn; BM ’15, Recording Arts; MM ’15, Audio Sciences) received the Grammy Award for Best Orchestral Performance for his work as assistant recording engineer. Mr. Watts engineered a live recording of Shostkovich’s Under Stalin’s Shadow, featuring Shostakovich’s Symphonies No. 5, 8 ,and 9 performed by the Boston Symphony Orchestra under the direction of Andris Nelsons. Find more information on the Grammy win on and The Boston Music Intelligencer.