Scott Lee (MM ‘ 13, Composition) is a recipient of the ASCAP Foundation’s 2015 Morton Gould Young Composer Award for his piece, Bottom Heavy. Established in 1979, with funding from the Jack and Amy Norworth Fund, The ASCAP Foundation Young Composer Awards program grants cash prizes to Concert Music composers up to 30 years of age whose works are selected through a juried national competition. The award-winning composers share prizes of over $45,000, including a complimentary copy of Sibelius software. Lee is currently a James B. Duke Fellow at Duke University where he is pursuing his PhD in Composition, mentored by Scott Lindroth and Steve Jaffe. Read the full press release here.
Peabody Renaissance Ensemble and Peabody Early Music alumna Janna Critz (GPD ’14, Voice) has been accepted into the Carmel Bach Festival this summer as one of the Virginia Best Adams Fellows. Four participants are chosen each year and receive a $2,100 stipend plus airfare and housing. This is the only program in North America that pays singers to study and perform Baroque music within a fully professional performing environment.
Judah Adashi (MM ’02, DMA ’11, Composition) and Lavena Johanson (MM ’13, Cello) debuted a film by current DMA student Tim Holt, featuring Peabody Dance alumna Sara Paul to Adashi’s composition, my heart comes undone. Watch the video here.
my heart comes undone was commissioned by the Peabody Preparatory’s String Department for their Pre-Conservatory Violin Choir. Watch the premiere performance here.
Program: Chen Yi, Bach, Tan Dun, Albeniz, Assad, and Piazzolla.
The CHINA WEST program takes its name for the China West Suite by Chen Yi, but here the concept of the program is meant to include music from China and the rest of the Western world.
Tickets: $40 ($35 BCGS Members, Seniors 65+, f.t. Students)
Tel: 443-296-BCGS (2247)
CD available on Tonar Music©
The music of Pulitzer-Prize winning composer and Peabody Conservatory faculty artist Kevin Puts will be featured on a new recording by the Peabody Symphony Orchestra and conductor Marin Alsop, acclaimed music director of the Baltimore Symphony Orchestra and a member of Peabody’s conducting faculty. Slated for release on the Naxos label in 2016, the disc will include Puts’ Symphony No. 2 (“Island of Innocence”) and his Flute Concerto, featuring the London Symphony Orchestra’s celebrated principal flutist Adam Walker.
This will mark the first major-label release for the Peabody Symphony Orchestra, and will be recorded and produced by the Conservatory’s own internationally renowned Recording Arts Department. The project will begin this spring, during the time frame when Walker is in Baltimore to perform the East Coast premiere of the Flute Concerto with the Baltimore Symphony Orchestra. The symphony will be recorded in the fall, and a third Puts work, River’s Rush, will complete the disc. California-based new music patrons Joe and Bette Hirsch are funding the project.
“I am thrilled and deeply honored that – with the generous support of Joe and Bette Hirsch – Marin Alsop, Adam Walker, Peabody, and Naxos have all come together to produce an entire recording of my orchestral works,” said Puts. “I am extremely grateful to Peabody Dean Fred Bronstein for facilitating what I know will be a fantastic representation of what our talented student body can achieve.”
“Maestra Alsop has presented my Symphony No. 2 and River’s Rush at the Cabrillo Festival, and in fact the symphony is the work that first drew her to my music,” Puts continued. “My Flute Concerto was brilliantly premiered there by Mr. Walker to thunderous ovation, and I am delighted to share it with the world through this recording.”
“This is such an exciting opportunity for our accomplished student musicians – both those performing on this recording and those engineering it,” said Fred Bronstein, dean of the Peabody Institute. “The project shines a spotlight on Peabody’s commitment to contemporary music, with composers like Kevin Puts on our faculty. And to be able to work with Maestra Alsop – a major conductor with a keen interest in the training of young musicians – on a recording of this caliber is a very special experience that will serve students well in their future careers.”
“I have championed Kevin Puts’ music for years, and I am delighted to work with the gifted young musicians in the Peabody Symphony Orchestra – and the brilliant Adam Walker – to bring this music to a wider audience,” Alsop said. “I am inspired by the level of energy and enthusiasm around this project, and I’m looking forward to getting started.”
Winner of the 2012 Pulitzer Prize for his debut opera, Silent Night, Kevin Puts has been hailed as one of the most important composers of his generation, critically acclaimed for his distinctive and richly colored musical voice. His impressive body of work for orchestra includes four symphonies and several concertos. His fifth symphony, co-commissioned by the Baltimore Symphony Orchestra for its 100th anniversary and Carnegie Hall for its 125th anniversary, will be premiered next year. In addition to his position on the faculty of the Peabody Institute, Puts is currently the Director of the Minnesota Orchestra Composer’s Institute.
According to his program note for the work, Puts’ Symphony No. 2 makes reference to the sudden paradigmatic shift that followed the terrorist attacks of 9/11 in America. Commissioned by the Barlow Endowment for Music Composition at Brigham Young University, it was premiered in 2002 by the Cincinnati Symphony conducted by Paavo Jarvi.
Puts’ Flute Concerto was commissioned by Joe and Bette Hirsch and premiered at the Cabrillo Festival of Contemporary Music in 2013, with Carolyn Kuan conducting the Cabrillo Festival Orchestra. Alsop, the festival’s music director, invited Walker to perform the premiere.
“The Flute Concerto is a wonderful piece, which we cannot wait for music-lovers everywhere to hear and love as we do,” said Joe Hirsch.
“Joe and I feel such a special connection to the Flute Concerto,” added Bette Hirsch. “Through this recording project, we are both very happy to be able to share with others our enthusiasm for this compelling contemporary music.”